A Safe Space in Tuscany By Katrina Woznicki

By Guest Author

It’s not easy to sell off the last of your stock holdings, the very last thing you bought in your own name years ago, back when you were flush and earned a healthy bimonthly paycheck. Yet that’s exactly what I did to attend Hedgebrook’s Master Class in Tuscany with Hannah Tinti. I didn’t need to return to Italy; I had just been there the previous year. But Hedgebrook is different. And the experience proved to be worth every penny.

Honestly, I can’t even begin to place a dollar value on my week there because this particular writers’ retreat was like no other. I want to call it magical, life-changing, life-affirming, all those other “feel-good” words you see on the cover of Oprah magazine because they’re all true. I’ve attended writers’ conferences before; I’ve been workshopped by rock-star authors. Hedgebrook delivered something different: community that’s committed to ensuring that every woman is heard.

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Reflections on being a Y WE mentor…

By Guest Author Administrator

I haven’t been to summer camp in 20 years, but at Y-WE Write, I felt instantly at home.  I shared the same shyness young writers must feel when they first encounter one another, meeting the brilliant and poised youth but also my distinguished fellow teaching artists Karen Finneyfrock and Anastacia Renee, for the first time….

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The Bookshelves of Hedgebrook by Ayobami Adebayo

By Guest Author

When I was packing for my Hedgebrook residency, I chose four big novels and two anthologies to see me through the month I was to spend on Whidbey Island. I haven’t left the house without a book since I was teenager and travelling to another country without taking novels with me is still unimaginable.

At the airport in Lagos, a customs officer rummaged through the carefully arranged contents of my suitcase before I could check it in.

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Hedgebrook Authoring Change – Interview of Rahna Reiko Rizzuto

By Guest Author

Tell us about your work as a writer—do you write in multiple genres/forms?

Sadly, yes. I’m a self-taught writer, so every time I write a book, I have to teach myself to write all over again, and it’s not a quick process. For my first novel, Why She Left Us, I read like crazy and mapped out the books I liked to figure out what a novel was. I dissected them, teaching myself everything from how to end a chapter to how to format dialogue.

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Nostalgic for Some Radical Hospitality

By Guest Author

What I wouldn’t give to be in the soothing, lulling calm of Hedgebrook Farms right now. I could use a little radical hospitality of the soul post November 8.

I had the good fortune to attend a Master Class last June and while I can’t say it radically changed my life I would definitely say it substantially altered the course of my work.

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