The Zig Zag Festival

By Hedgebrook Guest

“Women authoring change.” Women are the driving force behind a lot of what I do, during my day job and in theatre. I see women promoting the ideas, laying the ground work for what’s to come, and making the decisions, specially at my artistic home, Annex Theatre.

Annex Theatre has become a place for women to author change in Seattle. For nearly 30 years, Annex has continued to produce bold new work while maintaining deep traditions of operating in a unique anarcho-democratic structure.   Read more

A Week of One’s Own: A Memoir Master Class at the home of Radical Hospitality

By Hedgebrook Guest

Hi Hedgebrook Followers,

I am very much looking forward to teaching the Master Class “Form Is Content: Finding and Developing Your Memoir’s Structure” this November. Teaching is one of my greatest joys, and Hedgebrook is a dream location for teaching, learning, and writing. If you’ve read the course description and you’re considering applying, let me tell you a little bit more of what you can expect during your weeklong stay.   Read more

Writer, with a Capital “W”

By Hedgebrook Guest

I applied to Hedgebrook nearly twenty years ago as a young poet with a journalism day job and a love for putting words together.

Today, dozens of proposals later, I teach artists and writers how to write kick-ass proposals. We work on writing applications that are Shiny, Persuasive, Authentic, Real, and – of course – Killer.

That spark is what makes an application leap from the pile. Sometimes it comes out naturally and easily the first time; often, it can be coaxed and elicited through a smart writing and revision strategy.   Read more

Ten Reasons Why Vortext is Indescribable

By Hedgebrook Guest

This was my second year attending the Vortext writing salon. I’ve attended a lot of writing workshops and conferences over the past four or five years, and this one is unique. Indescribable—everyone I spoke with agreed! But, here’s trying:

  1. Sisterhood. It’s all women so that makes it special right off the bat.
  1. Nature. There’s an almost magical quality about being at the Whidbey Institute for three days. It was like travelling back into a simpler, quieter time and being reminded of the quiet place in myself where I am the most creative.

  Read more

Knocking at Hedgebrook’s Door

By Ellen Sussman

Originally published June 19, 2014, this post by Ellen Sussman remains one of our most popular blog posts. We are re-posting it because we received an update from Ellen she wanted us to share with you. 

UPDATE 7/2015: When I posted this blog about my many years of Hedgebrook applications and my many rejection letters — then finally… an acceptance! — I didn’t expect the strong response from readers. One woman told me she had taken her rejection so personally that she had stopped writing for a while. Other women told me they certainly wouldn’t apply again after a few years (only a few years?!!) of rejection. Months later something wonderful happened — many of those same women emailed me to say that they took another chance. They applied again. And this time, they got in. 

And some women emailed me to say: well, I didn’t get in. Again. But I’ll keep trying. 

Here’s another chance, fearless women writers. Take a risk. Apply for a residency at Hedgebrook. Believe in yourself and your writing. It’s essential to what we do.   Read more

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