By Hedgebrook Staff

Grace Love: Women Authoring Change

 

We start our residency season at Hedgebrook with the Singer/Songwriter Week. Participants are nominated by industry professionals to be in residence with fellow musicians. Alumnae of this program include Brandi Carlile and Mary Lambert.

This year, we were honored to welcome Grace Love as part of this program. We asked her about her work and about being a Woman Authoring Change.

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By Hedgebrook Guest

Gloria Named My Memoir

It happened again. Someone “friended” me and her profile picture was of a smiling woman in hijab. Since my book Uncovered is about leaving the Hasidim, this wasn’t a common experience. I was pleased. I see my memoir as feminist, as an act of solidarity with covered women everywhere. I didn’t always see it that way.

Back in 2010, I went to Hedgebrook for the first time. I had just sent off a final draft of my memoir to my agent and was eager to delve into my new novel. I saw no one else that first day, needed no one else. I hung up clothes and set up my writing space, took a careful walk around my cabin, and then I was ready to go to work. But first, a quick email check—and there was my agent’s name.   Read more

By Hedgebrook Guest

Hedgebrook Vortext: An Uncommon Convergence

In this post, Hannah Lee Jones captures her experience from VORTEXT in 2015, describing the rich details she took with her and emphasizing the broad “genre, geography, life experiences, [and] thematic passions” of the workshop teachers who will return once again for a reinvigorating weekend of VORTEXT this spring.

For four years the forested lands of the Whidbey Institute at Chinook have been host in May to a conference of women writers from all over the country. The term I prefer over “conference” is convergence, and the convergence is VORTEXT, a three-day writing conference hosted by Hedgebrook which ended last weekend. And I remember each spring how lucky I am that the non-profit retreat for women writers and venue for women’s voices exists just down the road from where I live, here on gorgeous Whidbey Island.    Read more

By Hedgebrook Staff

The Radical Hospitality Revolution

Collaboration is the essence of growth, and we sorely need both. But I think we need something beyond “growth”.

It’s clear to me that what we need is a sustainable revolution. A revolution founded on truth-telling and dialogue. A revolution that provides radical hospitality while centering the experiences of disenfranchised voices.

Hedgebrook can only host about 45 writers each year at our retreat. So, we are partnering with our alumnae community to help spread this model of radical hospitality.   Read more

By Hedgebrook Guest

On Making The Overtly Feminist Performance That’swhatshesaid

I have this belief that as a performer, my true identity and self is inherently present and important in everything I do. This, by definition, is the exact opposite of acting. Maybe that’s why I don’t call myself an actor any more.

I used to, though. Proudly introduce myself as an actor. There was totally a Chorus Line fantasy fulfilled in the auditions I used to attend. I’d hop on the bus, poring over my monologues and drinking lemon ginger honey tea (good for your voice, I heard!). I’d get to the audition way too early, smile a lot, ignore the other 40 women warming up in the hallway, say my ‘thank you!’s and ‘look forward to hearing from you!’s and then do it all over again the next day. So glamorous! So fun! Living the dream!

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By Hedgebrook Guest

Work full-time? How to make time to make art.

I’ve been in the workforce for more than two decades. And I’m still trying to strike the right balance between making enough money to make rent and leaving enough room in my schedule to make art.

I’m certainly not the only one. This week I asked my Facebook posse how much on a scale of 1 to 10 they fret about juggling making money with making time for their writing. The comments quickly rolled in:

“9”

“9.5”

“Yes. Lots!”   Read more

By Hedgebrook Guest

My Hedgebrook Experience

For a few years in the 1990’s and early 2000’s I was the director of a writers’ festival in New Zealand. An annual literary event that featured well-known international writers, it enabled me to meet and mingle with some of my favorite authors; Jane Smiley, Joanne Harris, Frank McCourt, Tom Keneally, Margaret Atwood, Ruth Reichl and many more.   Read more

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