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By Elizabeth Austen

On the Air: Preparing for a Radio Interview

You summoned the courage, devoted the time, wrote the book. You found a publisher. Now it’s time to get the book into the world.

For the past decade or so, I’ve worked part-time at KUOW, one of Seattle’s NPR affiliates. I interview poets and curate a regular poetry feature. I’ve been on the other side of the microphone, too, talking about my own work, and have been grateful I knew what to expect and how to prepare. Even so, being interviewed is a funny balancing act—ideally, it comes across as a relaxed, engaging conversation, but unlike a regular social situation, the interview requires preparation.   Read more

By Hedgebrook Guest

Masterclass

The car turns in at the drive. You can’t help but feel as if you’re home. It’s been a long journey, and I don’t mean your flight or the ferry. You get out of the car full of hope, your bags crammed full of expectations.

That first day’s memories are a blur: the staff, the other writers, the land, the teacher, the cottage—your cottage—unpacking, settling in. Even the memory of that first dinner that you didn’t think you could ever forget has been burned off like fog by the brightness of what came after.   Read more

By Hedgebrook Guest

Zen and the Art of Llamaturgy

For several years now, I’ve been on a joy kick. I’ve wanted to really understand the nature of it, to get inside it, to unpack it. Last summer at the LMDA conference (Literary Managers and Dramaturgs of the Americas), at an open-session conference, we were adding topics onto a big board with a list of offered sessions. These topics ranged from “How to build and diversify your audience” in room 3D to “Recent adaptations of classics” in 4F to, well, everything from A-Z. All very interesting and worthwhile topics, but not what I wanted to talk about. I wanted to talk about J.O.Y. and I needed to talk about it outside. We were in BANFF, for Pete’s sake! You don’t talk about joy in a windowless room when a view of mountains bathed in sunlight was just on the other side, waiting to be embraced. So I posted my three-letter word, said it was taking place outside, and set up a couple of chairs on the patio, hoping that I’d have at least a few attendees at my party, if not quite enough for a minivan. (Can you guess where this is going? I didn’t…)   Read more

By Genine Lentine

Poses: Writing as Gesture

In the weekly Sunday Writing Studio I lead at the San Francisco Zen Center, we begin with a round of generative writing modeled on the quick gesture drawings that often begin a life drawing class. Invoking the immediacy of these gesture drawings, I call these quick prompts “Poses.”

I adapted this strategy from my own practice of writing from the model in life-drawing sessions, a process I’d discovered in a drawing group I went to regularly when I first moved to New York in 2000. Sitting there trying to focus on drawing the model, I was very preoccupied with the gothically difficult triple breakup I’d just been through, and in an attempt to deal with this, I decided to write, as if I could sweep my thoughts and clear the way so I could just draw. And so I started writing, using the timed poses and the physical experience of writing on drawing paper with a pencil. I wanted to come in under the habit of deliberation and deferral and respond to what was there in the room with me.  What began as a kind of maintenance actually became a very regular process and a series of poems called Poses.   Read more

By Minal Hajratwala

Nondualism: Writing/Not Writing

Editor’s note: The following post is being republished from Hedgebrook Writes!

 

Regret

Mid-Monday.  I feel bad that I haven’t written more, haven’t written much this weekend.

Luckily, I’m now intimate with the voices in my head. So I suspect this is a lie.  Time to take inventory. Since Friday morning, I’ve written:

• several thousand meandering journal-y words on gender, armor, rootedness, displacement, travel, destabilization & its gifts

• a draft of a film/culture commentary that I may or may not publish

• a long dialogue with a writer friend, more about gender, hair, transitions of various sorts

• a piece of flash fiction that emerged from Genine’s prompts (“poses”)

• and, oh yes, this and my previous blog post

Actually that’s quite a bit.  And this is my regular pace these days; I didn’t do much special for the Hedgebrook weekend.

I am working steadily, yet I realize (again) how constant this feeling is:  not working/writing/doing/being enough.

How good I am at saying to myself, “but that doesn’t count. That’s not real writing.”   Read more

By Upcoming Hedgebrook Master Class Teacher - Karen Joy Fowler

Are you a Writer or a Reader?

Many writers I know fret about how to answer the question, what do you do?  When are you entitled to say that you’re a writer?  When you write?  When you publish?  When you support yourself writing?  For what it’s worth, I believe that a writer is simply someone who writes.   Question posed and answered!  But that’s not actually what I wanted to talk about here.

Early on, I fretted about that question too, but I’ve been answering that I’m a writer for quite some time now.   Only lately I’ve been running a different answer through my head.  Lately, I’ve been thinking that I spend a lot more time reading than writing.  Lately I’ve been thinking my answer should be that I’m a reader.

I’ve always been a reader.  There was a time, early in my career, when reading was quite spoiled for me.  Instead of losing myself in a piece, I’d be frantically trying to dissect it—figure out how it worked and why.  I had to ask myself then—if the price I have to pay to be a writer is my reading, do I still want it?  And answered no; price too high.   Read more

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